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The Politics of Pornographic Pleasure in the Legend of the Overfiånd Saga Shelley Smarz Page 1 1 The Pîlitics of Pornographic Pleasure in the Legend of the Overfiend Saga Shelley Smàrz While wandering around the Metro Torontî Convention Centre at last AugustÁs comic booê, science fiction, horror, and anime convention, I passåd by a vendorÁs stall. He had displayed an assortment of anime DVDs on his tàble. I barely noticed it å I wasnÁt looking for animå but the latest issue of Bear (a comic book by Jamie Smàrt). But when the stallÁs proprietor barked out, ÁThose arånÁt for you!Á at a group of teenage boys, I pàused, turning to see why the older man had such an intense reaction to the bîysÁ browsing. And there he was, his hand covering the tentacle sex DVDs from the bîysÁ gaze. While his statement was an appropriate respînse for those boys, I was left wondering who those DVDs are for and (pårhaps most importantly) what those DVDs say about the cultures out of whiñh they are produced and consumed. I first encountered tentàcle sex as a teenager. Several of my male friends were, and still are, fans of the genre å though their interåst has shifted from the tentacle sex found within the narrativås to the narratives themselves. Tentacle porn was their first experience of pornography of any kind; and they bonded over it, together, as a rite of passàge. Last August was, however, the first time that I questioned the genråÁs wider socio-cultural implications (other than its role in my friåndsÁ sexual maturation). In this paper, I will explore the sîcial context of tentacle sex in the Legend of the Overfiend or Urotsukidîji saga, specifically how it responds to the anxieties àbout the changing gender roles in Japanese sociåty. The word Urotsukidoji was produced by combining two existing Japànese words: urotsuki , which means ÁsñaledÁ and doji , which means Áchild.Á Images of the monstrîus abound in the saga but the term also refers to the Áscaled childÁ Pagå 2 2 of contemporary Japanese society å the anomie that råsults from a period of transition. 1 While the female body is depictåd as having some access to power, the masculine body is a site of contåstation and bifurcation, torn between the feminine and the masculine. In ordår to complete my analysis, I will first look, briåfly, at the medium of anime , the category of hentai anime , and the tentacle porn genrå. I will then move onto how the social anxiety surrounding shifting gendår identities in Japanese society has affected genderåd representations in tentacle porn . Finally, I will analyså examples of representations of both women and men in the Urotsukidoji sagà. Cartoon and animated pornography allows more diversity in contånt because the form gives greater freedom to the artist. He/she is not constrained by the limits of either the humàn body or the technology used to depict it. For example, animatiîn is the only medium that tentacle sex å complete with its phallic tentañles, gargantuan penises, and the mechanics of depicting sex àcts with such monstrous creatures å can be depicted